This substantial 19th-century Southeast Asian floor gong, originating from Thailand, reflects the ceremonial sound traditions of elite and institutional life. The hand-hammered bronze disc, formed with a prominent central boss, was designed to produce a deep, resonant tone suited for formal announcements and ritual signaling rather than sharp percussive sound. It is mounted on a grand hardwood stand uniquely crowned with a repurposed carabao (water buffalo) yoke, a distinctive feature of Filipino folk adaptation and craftsmanship. Together, the composition speaks to status, function, and regional ingenuity within historical sound and ceremonial culture.